Snapshots into the Past with Movie Set Decor

I've been wanting to do this for a long time for you folks, but was recently reminded of it when Gloria of Home Decorating Room-by-Room asked me this question the other week: "When you look at classic movies, are you paying attention to the decor and accessories used in the background setting for inspiration?"

And the answer? Boy, do I! So much can be learned from watching movies with period-influenced decor in it. Once, I spotted one of my vintage lamps in a Bogey picture, confirming it was from the late 40s. Other times, I've spied the kind of upholstery fabric that should have originally been on a certain sort of chair. And every now and then, I'm able to draw some insights to why certain objects just look right together.

Today, I thought I'd share with you some of the films that have caught my eye because of their sets... Luscious backgrounds which provide atmosphere and interest to a lover of romantic decorating. And please forgive me if some of the images are a little crooked. The, er, camera person photographing the screen isn't always as steady as she'd like to be.

We'll start with one of my favorites... The Coen Brothers' Barton Fink...


This is the Hotel Earle... A once-beautiful but now worse-for-wear structure where the lead character, Barton Fink (played by John Turturro) stays as a resident. What I love about the lobby is its sense of warmth... from the smushy velvet chairs and the tall palms, to the fringed lampshades and the whirring fans...


I also love seeing the 40s deco chairs in color...


I'd be happy enough just to sit and read there in that chair. Of course, given the strange clientele of the Hotel Earle, I'd probably also get mugged or murdered... But even so, the grand movie-house feel of the lobby certainly does have its appeal.

Here's the hallway to Barton's room. Note the large patterned palm-frond wallpaper, art deco ceiling arches and deco wall sconces. Very symmetrical, very geometric... Very much of its time.


Now we move on to another film with decor that always gets my attention... The 1990s version of The Secret Garden. Our little heroine Mary's room is decorated in very heavy, very medievally-influenced themes...

The tapestries that cover the wall are reproductions of the Cluny mille-fleurs Unicorn tapestries...


These same type of tapestries are also used in the Harry Potter films, to decorate the Gryffindor common area. But in Harry, where they seem to convey a mystical feel, in The Secret Garden they seem to show a sort of ancient, austere strength. Ignore the angry little girl in the nightdress and just look at the carving on this bedpost...


Next, we have a film set I always wish I could have seen in color... The 40s film Arsenic and Old Lace starring Cary Grant...


No, that's not Cary Grant there, that's crazy uncle Teddy. But look at that globe shade lamp! See the elaborate tile fireplace! Note the Staffordshire dogs along the plate rail above.

Then we see the winding staircase and family portraits hung down it...


It says taste, some money, but yet it's not overly patterned-- probably the influence of more streamlined modern tastes taking over the late 1700s/early 1800s history of the place...

And here we get one more glimpse at the shelves-- lots of space for plates and collectibles here! What do you think it looked like in color?


Well, there's no lack of color in this last film set I wanted to show you. This is the 90s version of A Little Princess, and this is the exterior of Miss Minchin's School for Girls...


The movie does some very interesting things with the use of color. Things related to the school-- from the school exterior, to the uniforms, to the color of the hallways-- are all in varying shades of green. My theory is the green was intentionally used to imply money, jealousy and bitterness, because it shows up consistently in all of those situations...

It is also, as it would turn out, very beautiful...


This is the interior of Miss Minchin's, and that is Miss Minchin herself. Their surroundings are very lush, very plush, and very, very green, all balanced with dark woods...


Look at the sculpted wallpaper, and the torchiere on the right! Lots of textiles here, lots of layers. This opulence will then be contrasted later with the attic room where poor "orphaned" Sara ends up staying as a servant girl, with holes in the roof and little to eat.

(Yes, it is a crying film-- how did you guess?)

But dig this amazing art nouveau fireplace!...


And while green may mean all of the things discussed above, gold appears to be used in just the opposite way. When Sara's cold attic is transformed by the magic-wielding Indian servant across the street into an inviting richly-swathed boudoir, the green is exchanged for warm golds...


Lots of fabric is used, and this is one more example of how objects of kindness, hope, home, and love are showcased in the orange-gold tones. Sara's favorite doll wears a gold dress, and Sara wears gold when she leaves Miss Minchin's with her rediscovered father. The Indian servant who befriends her wears gold. And, of course, there's this beautiful room.

The sunflowers add to the sense of warmth and hope.

So, in looking at these movie sets, it just goes to show how much can be expressed through decorating, through well-chosen objects, and through color. What does your color palette and your choice of objects say about you?

Isn't it fun to wonder?

And that's a wrap!

• To check out last Treasure Box Wednesday and one teapot that hopefully won't be a crack-up, click here.

Snapshots into the Past with Movie Set Decor

I've been wanting to do this for a long time for you folks, but was recently reminded of it when Gloria of Home Decorating Room-by-Room asked me this question the other week: "When you look at classic movies, are you paying attention to the decor and accessories used in the background setting for inspiration?"

And the answer? Boy, do I! So much can be learned from watching movies with period-influenced decor in it. Once, I spotted one of my vintage lamps in a Bogey picture, confirming it was from the late 40s. Other times, I've spied the kind of upholstery fabric that should have originally been on a certain sort of chair. And every now and then, I'm able to draw some insights to why certain objects just look right together.

Today, I thought I'd share with you some of the films that have caught my eye because of their sets... Luscious backgrounds which provide atmosphere and interest to a lover of romantic decorating. And please forgive me if some of the images are a little crooked. The, er, camera person photographing the screen isn't always as steady as she'd like to be.

We'll start with one of my favorites... The Coen Brothers' Barton Fink...


This is the Hotel Earle... A once-beautiful but now worse-for-wear structure where the lead character, Barton Fink (played by John Turturro) stays as a resident. What I love about the lobby is its sense of warmth... from the smushy velvet chairs and the tall palms, to the fringed lampshades and the whirring fans...


I also love seeing the 40s deco chairs in color...


I'd be happy enough just to sit and read there in that chair. Of course, given the strange clientele of the Hotel Earle, I'd probably also get mugged or murdered... But even so, the grand movie-house feel of the lobby certainly does have its appeal.

Here's the hallway to Barton's room. Note the large patterned palm-frond wallpaper, art deco ceiling arches and deco wall sconces. Very symmetrical, very geometric... Very much of its time.


Now we move on to another film with decor that always gets my attention... The 1990s version of The Secret Garden. Our little heroine Mary's room is decorated in very heavy, very medievally-influenced themes...

The tapestries that cover the wall are reproductions of the Cluny mille-fleurs Unicorn tapestries...


These same type of tapestries are also used in the Harry Potter films, to decorate the Gryffindor common area. But in Harry, where they seem to convey a mystical feel, in The Secret Garden they seem to show a sort of ancient, austere strength. Ignore the angry little girl in the nightdress and just look at the carving on this bedpost...


Next, we have a film set I always wish I could have seen in color... The 40s film Arsenic and Old Lace starring Cary Grant...


No, that's not Cary Grant there, that's crazy uncle Teddy. But look at that globe shade lamp! See the elaborate tile fireplace! Note the Staffordshire dogs along the plate rail above.

Then we see the winding staircase and family portraits hung down it...


It says taste, some money, but yet it's not overly patterned-- probably the influence of more streamlined modern tastes taking over the late 1700s/early 1800s history of the place...

And here we get one more glimpse at the shelves-- lots of space for plates and collectibles here! What do you think it looked like in color?


Well, there's no lack of color in this last film set I wanted to show you. This is the 90s version of A Little Princess, and this is the exterior of Miss Minchin's School for Girls...


The movie does some very interesting things with the use of color. Things related to the school-- from the school exterior, to the uniforms, to the color of the hallways-- are all in varying shades of green. My theory is the green was intentionally used to imply money, jealousy and bitterness, because it shows up consistently in all of those situations...

It is also, as it would turn out, very beautiful...


This is the interior of Miss Minchin's, and that is Miss Minchin herself. Their surroundings are very lush, very plush, and very, very green, all balanced with dark woods...


Look at the sculpted wallpaper, and the torchiere on the right! Lots of textiles here, lots of layers. This opulence will then be contrasted later with the attic room where poor "orphaned" Sara ends up staying as a servant girl, with holes in the roof and little to eat.

(Yes, it is a crying film-- how did you guess?)

But dig this amazing art nouveau fireplace!...


And while green may mean all of the things discussed above, gold appears to be used in just the opposite way. When Sara's cold attic is transformed by the magic-wielding Indian servant across the street into an inviting richly-swathed boudoir, the green is exchanged for warm golds...


Lots of fabric is used, and this is one more example of how objects of kindness, hope, home, and love are showcased in the orange-gold tones. Sara's favorite doll wears a gold dress, and Sara wears gold when she leaves Miss Minchin's with her rediscovered father. The Indian servant who befriends her wears gold. And, of course, there's this beautiful room.

The sunflowers add to the sense of warmth and hope.

So, in looking at these movie sets, it just goes to show how much can be expressed through decorating, through well-chosen objects, and through color. What does your color palette and your choice of objects say about you?

Isn't it fun to wonder?

And that's a wrap!

• To check out last Treasure Box Wednesday and one teapot that hopefully won't be a crack-up, click here.

20th Street

I went out for a walk early yesterday morning

 in search of Shadows for ShadowShotSunday.

I peered through the iron railings into the gardens of the

 General Seminary

 where for a little while I was a volunteer gardener.

I looked at the other side of the street.

Morning light, railings. Yes, shadows there.

And the old roses on the Seminary railing......

And the leaves of the virginia creeper.

Shadows almost too intricate and complicated....

Billy's Bakery

9th Avenue and 21st Street

How engaged and mildly cheerful the workers are in the

 window of Billy's Bakery in Chelsea.  Not a bad sort of job

 really. Decorating cup cakes used to be a very popular

 activity at our children's birthday parties

Recipe for cupcakes from memory:

Ingredients:

The weight of two eggs in butter and sugar

I teaspoon warm water

a pinch of salt

a dash of vanilla

4 oz. of self raising flour.

Method:

Cream butter and sugar

add egg beating carefully add salt and vanilla

add water

fold in sifted flour

Bake for 25 minutes at 350' 

Something a little self-consciously retro about Billy's

 but charming nonetheless.

Symbionts and Symbiotes in Star Trek and Stargate

I have been watching Star Trek: Deep Space 9 on DVD once again and my favorite character is Dax and the Trill in general. The way the Trill live their lives is more Buddhist in nature due to the many hosts that live to pass on their particular symbiont. The symbiont has its own brain and is capable of living a very long life that passes on the memories of each previous host to the next. The joining of these two separate entities is willing and even coveted by the Trill host with many years of preparation and training taken in order to be joined. In DS9, even though the character Jadzia Dax is only 28 years old, she also considers herself over 300 years old because of the experiences and memories from Dax, the symbiont. As a viewer, I enjoy the idea that my memories and life experiences could live on well into the future, unfortunately, I don't have a symbiont!
These peaceful symbionts are quite a contrast to the diabolical Goa'uld in Stargate SG1 who forcefully take a host and desire to conquer all worlds in the galaxy and make all humans their slaves. There are even different ranks of these evil symbiotes with the System Lords being the top ranked ones. The Tok'ra are a small group of Goa'uld who believe in only joining a willing host and help the humans fight their evil counterparts. The symbiotes of Stargate speak with a strange voice and occasionally let the host speak when convenient but basically control the host and make all decisions.
If I had to choose, I would be a Trill because the host is completely in charge of his/her life and uses the memories and experiences of the symbiont. So I could have the memories of a biologist, archeaologist, mother, father, son, daughter, well you get the picture; the experiences would be vast and unique.
I love that science fiction can make me ponder about the possibilities in my own life and how I can make my own memories and experiences as unique as possible.

Mysterious Night and Wet Morning

 A poem for a wet Friday

Acquainted with the Night by: Robert Frost   I have been one acquainted with the night. I have walked out in rain -- and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain.

I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, O luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.

This morning was wet.

Had to take the dog out anyway.

Hope everyone has a lovely weekend.

I am I

In searching for poetry for my 'Who Am I' project I am came across this poem by Fritz Perls, called the 'Gestalt Prayer' .
I was already familiar with old Fritzy but not this poem or the supposed controversy that surrounds it. Well controversy may be stretching it a wee bit, maybe discussion starting is better.
It seems that when some people reproduce this poem they omit the last line 'If not, it can't be helped', I wonder why? Also do you see this poem as oversimplfying things, as life is just not that simple? It certainly appeals to me, so I will be having a think on it.

Other news:
Check out my new counselling student squidoo type thing, where I am going to collect together all the counselling resources I have found useful: A student in counselling (broke the link before)

Olga steps up the MoonWalking campaign for me These boobs are made for walking