Photo credit: Tim Matheson
Gutiérrez stopped the show with her first number, and thereafter went from strength to strength. Her take on the fabled third act “mad scene” was clean and consistent, a musical and dramatic tour de force abetted by wonderful work from the orchestra’s principal flute—playing so tangible and supple that it might just as well have been coming from a character up on stage.
To read more from Vancouver Sun's David Gordon Duke, click here.
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