Are you a fan of film scores? Opera is not all about high-hitting arias, recitatives and big showy choral numbers (as opposed to big showy chorus numbers which would include dancing showgirls). Also enjoyable are the overtures and intermezzos where only the orchestra is playing. No voices, no sound effects.
For your listening pleasure, here's a snippet of the orchestral music in Scene 10 of Lillian Alling by John Estacio, libretto by John Murrell. This electronic arrangment is by Emmy nominated composer and conductor Hal Beckett, who turned Estacio's MIDI composition into a realistic orchestral sound.
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