Birth and Rebirth in Collectibles Trends

Do you ever wonder about what specifically spawns certain trends in collecting and decorating? What makes a certain type of item suddenly become in demand, or even have a powerful resurgence after being ignored or reviled for decades?

I had often wondered this very thing in relation to the iridescent glass we think of as "carnival glass" today.

I have been fortunate over the years to pick up a number of carnival Indiana Glass Harvest Grape pieces from the 60s and 70s-- all inexpensively at thrift stores and antique malls.

But I was always curious what it was that triggered modern manufacturers to suddenly start remaking the colorful glass that had been so popular 50 years or more before.

Well, would you believe I recently found the answer to this, in casual reading?

Yup, I'd been going through volume three of the Imperial Glass Encyclopedia, when their section on carnival satiated my curiosity once and for all!
In the 1960s, not only did Marion Hartung publish books on the subject, bringing the glass back into the light (so to speak), but an article in the Atlanta Journal and Constitution newspaper (August 18, 1963) on the topic dubbed old Carnival glass the "Cinderella of Modern Antiques."

In response, Imperial, Fenton Art Glass and other companies began reissuing carnival pieces, many from their original molds. And the revival grew well into the 1970s.

This got me thinking about how it had taken some appreciation from Martha Stewart to get the collectibles community showing renewed enthusiasm in the creamy green glassware known as jadite...
While I've noticed costs for jadite have gone to more reasonable levels in the last year or so, there for a while antiques dealers were offering jadite for princely sums. Where Martha waxed poetic, the market agreed. Everyone wanted beautiful, soothing pieces made of this opaque, aqua glass.

So this got me pondering again: what do you think is a highly underrated collectible today?

As I've always been a fan of the Carnival glass, I notice right now I'm one of the few that finds it magical. Will it have its day again?

And I adore McCoy's art pottery pieces, particularly ones from the 1940s. It always makes me wonder why McCoy pottery ends up being about half the price of Hull, even though their style is very similar...
So my question is open to you folks:

Is there a collectible item out there that you adore and feel hasn't received the attention it's deserved?

What is your "Cinderella Among Collectibles"?

Birth and Rebirth in Collectibles Trends

Do you ever wonder about what specifically spawns certain trends in collecting and decorating? What makes a certain type of item suddenly become in demand, or even have a powerful resurgence after being ignored or reviled for decades?

I had often wondered this very thing in relation to the iridescent glass we think of as "carnival glass" today.

I have been fortunate over the years to pick up a number of carnival Indiana Glass Harvest Grape pieces from the 60s and 70s-- all inexpensively at thrift stores and antique malls.

But I was always curious what it was that triggered modern manufacturers to suddenly start remaking the colorful glass that had been so popular 50 years or more before.

Well, would you believe I recently found the answer to this, in casual reading?

Yup, I'd been going through volume three of the Imperial Glass Encyclopedia, when their section on carnival satiated my curiosity once and for all!
In the 1960s, not only did Marion Hartung publish books on the subject, bringing the glass back into the light (so to speak), but an article in the Atlanta Journal and Constitution newspaper (August 18, 1963) on the topic dubbed old Carnival glass the "Cinderella of Modern Antiques."

In response, Imperial, Fenton Art Glass and other companies began reissuing carnival pieces, many from their original molds. And the revival grew well into the 1970s.

This got me thinking about how it had taken some appreciation from Martha Stewart to get the collectibles community showing renewed enthusiasm in the creamy green glassware known as jadite...
While I've noticed costs for jadite have gone to more reasonable levels in the last year or so, there for a while antiques dealers were offering jadite for princely sums. Where Martha waxed poetic, the market agreed. Everyone wanted beautiful, soothing pieces made of this opaque, aqua glass.

So this got me pondering again: what do you think is a highly underrated collectible today?

As I've always been a fan of the Carnival glass, I notice right now I'm one of the few that finds it magical. Will it have its day again?

And I adore McCoy's art pottery pieces, particularly ones from the 1940s. It always makes me wonder why McCoy pottery ends up being about half the price of Hull, even though their style is very similar...
So my question is open to you folks:

Is there a collectible item out there that you adore and feel hasn't received the attention it's deserved?

What is your "Cinderella Among Collectibles"?

Martha Stewart and an Anomaly

Yesterday morning, when I was walking back from having coffee with Judy, a pleasant young woman approached me and asked if I'd like to see a taping of the Martha Stewart show.

Since I have never seen inside a TV studio, I said yes.

So after lunch I went and joined the cheery fellow attendees on 26th Street.

Many were from out of town and had dressed up nicely.

Some had initially arrived at 7:30 in the morning.

Everyone was very good spirits..........

 
...including James the young man in charge of security at the front door.

There was a certain amount of waiting around as lots of chipper, competent young people with headsets and clip-boards rushed about efficiently. People chatted and Joey Kola kept up an antic banter.

People had photographs taken of themselves in front of MARTHA signs.

The studio audience numbered around a hundred and  people entered the studio according to marks on their tickets.

We were 'wrangled' wonderfully well.

"Anyone with a green stripe?"

"Anyone with a star?"

"Anyone with a pink stripe?"

Those of us who had none wondered what we lacked. A bit like not being chosen for a gym team in junior high.

The studio is large, well-appointed and surprisingly chilly.

We are instructed when to clap or say "Mmmm...."

Joey Kola laughs and dances about, reminding me of a Shakesperean clown.  He keeps up such a constant banter of terrible jokes we smile anyway. He promises extra cheery people prizes. 

At one point he plays catch with Martha Stewart using little tomatoes.

The show is taped, but, since it won't be aired until Friday, I'll keep you in suspense as to the content -- suffice it to say that the crafts section included use of a glue gun.

Here is Joey Kola posing with Michelle from Florida.

We were given little presents at the door.

A good time was had by all.